eine dringend benötigte veröffentlichung, die in keiner respektablen new beat-sammlung fehlen darf. die zweite und letzte single des zsa zsa laboum-projekts, die ursprünglich 1989 kurz nach dem erfolg von -something scary- veröffentlicht wurde.

limitierte erstauflage auf grau marmoriertem vinyl inklusive mp3 download code

narrative film music and sound design for robert wiene’s psychological thriller from 1920, composed by karl bartos. limited edition double vinyl box with dvd and booklet included.

narrative film music and sound design for robert wiene’s psychological thriller from 1920, composed by karl bartos.

incl softcore & you get me so high ! on 3x 180g vinyl !

green vinyl edition.

from the urban jungle straight to your eardrum. once again slick ghetto trax off stinky alvarez ghetto fame, designed to knock your boots off.

first of five eps in possession’s next v/a installment. translucent & purple marbled vinyl edition.

limited clear double vinyl.

limited 2 x cassette in slip-case

brill deep detroit house nuggets

double mc ( musiccassette / tape )

printed inner sleeve

black & yellow ghostly color vinyl lp

limited pressing on light pink coloured vinyl.

first of five eps in possession’s next v/a installment.

3x12 inch lp box, 180 g vinyl + booklet

the debut album from gordon huntley and pierce fulton as leaving laurel on double vinyl, housed in a gatefold sleeve.

posthumous swamp soul masterpiece from tony joe white.

the fourth album from sault on double vinyl, housed in a gatefold sleeve.

the free fall, to dive head first into something, is scary for most people. for some it is the most exciting thing however and the only possible path anyways. florian is one of those driven artists who never sounds the same, his signature tone is the free fall into new soundscapes, new ways of using his analog electronic instruments and carving out the essence for the dancing individual.

the 30d records machinery does not stop. a new stylistic adventure has been concretized in the new label’s series “eyes have it”, which will be conducted by the well-known sonar and 30d’s resident dj, angel molina, as a&r. the lucio fulci’s movies iconic scary-eyes synthesizes the series essence perfectly. “eyes have it” builds the fundamentals for the boundless experimentation, lightlessness, cold and mechanical dynamics. the ep “shelter” is the very first result of this new proposal, an incontestable work signed by isolated lines. the swiss artist has a solid background in underground music throughout various projects, in and outside of electronics. that means a wider creative resources that can be easily noticeable, for instance, in the music harmonies. avant-garde, solid sound and savoir-faire, that is what defines the isolated lines production. “shelter” ep stylistic codes are crystal clear, brazen obstinacy of the rhythm base which sets the basis for epic distorted textures, that may become deeply emotional, like in the cases of “onshore” and “landfall”. steadfast rhythmic cycles on slamming sound mantras. furthermore, the ep includes an industrially nervous revision of “onshore” constructed by 30drop. isolated lines’ “shelter” ep is an utterly flawless starting point for this strongly promising new 30d series. so henceforth, keep always an eye on “eyes have it”!

rave or die is delighted to welcome another techno rave pioneer into the fold. neil landstrumm (tresor, peacefrog) has been the key figure of the scottish experimental sound for more than two decades now, multiplying nasty cuts under numerous disguises including die fly die, navario sauro or polaris whilst spearheading future funk on his well known scandinavia records. on rod number nine, neil teams up with edinburg producer and sativae founder dave tarrida to deliver a banging morocco tune made of pumpin basslines and crunching breaks! these guys are no joke when it comes to set fire on the dancefloor. on the flipside, rod mastermind umwelt strikes back with (u=e-rl), an enigmatic equation and most probably the secret formula to smoke warehouses! old schoolish grooves with some extra muscle acid lines fused into heavy kicks turn this mental track a la the mover into an ode to rave music. a perfect combo of 4/4 anthems in their purest and primitive form, a 10inch that melds disparate sounds with scary intends!

dystopian dreams are often used by our minds to try out new, scary scenarios. they act as the perfect playgrounds because they combine elements of our real world with speculative elements that do not exist in&#8203, &#8203,real&#8203, &#8203,life.&#8203, &#8203,rumah&#8203, &#8203,enters&#8203, &#8203,into&#8203, &#8203,the&#8203, &#8203,second&#8203, &#8203,dream&#8203, &#8203,of&#8203, &#8203,dystopia&#8203, &#8203,conjuring&#8203, &#8203,up&#8203, &#8203,three&#8203, &#8203,dark&#8203, &#8203,and&#8203, &#8203,heavy,&#8203, &#8203,stompers.

t.d.o.s. third single featuring japanese turntablalist dj to-ru (dujada-goja) is side b is uchu daikaiju no ballad (the ballad of the space monster) featured samples of gozilla dialogues with a scary soundtrack mood.on a progressive and experimental beat. the artist > the dude of stratosphear aka t.d.o.s.

music for dreams is proud to announce the new album by danish legend dub tractor. one of the founding fathers of electronica in denmark in the early 90s, anders remmer has remained a reluc-tant beacon of copenhagen’s scene ever since, with his musical legacy still a work in progress. as well as being a member of future 3, remmer has released material under a number of different aliases, but his most frequent guise dating back to 1994 has been dub tractor. under this name, he gently crafts complex yet warm and organic electronic music that flirts with ambient, dub and idm. with “hello ambient wash”, the first dub tractor album since 2009, remmer explores further the possibilities of dub tractor after the more pop-oriented & shoegaze-flavoured approach of his last album -sorry-. in addition to new material, the second half of “hello ambient wash” presents a ret-rospective of hand-picked tracks from his first three albums on flex records (the label which music for dreams founder kenneth bager ran with ole mortensen from 1994 to 2007). ... bonus info: nils frahm is a fan.

a 1997 wu-tang classic back on audiophile 180 gram 4x12 inch vinyl.

new record on help recordings by the arhus quartet maizena. this one is one of those more relaxing and introvert records we put out to stress the fact that life is not always about dancing. pretty sounds and not too many unpleasant or scary moments. most of the music is in the vain of their earlier work on no hands, regelbau and help, a rhythmical ambient music. recorded in the isolated haelge studios surrounded by nothing but the sea and the mols mountains.

dystopian dreams are often used by our minds to try out new, scary scenarios. they are the perfect playgrounds because they combine elements of our real world with speculative elements that do not exist in real life. viers gets to work on his own visions of dystopia, with this menacing 12” tripped with hidden spooks and monster pummel lines.

musically and emotionally, superpitcher’s third full-length studio album, the golden ravedays is a one sound autobiography that exhibits the skill, feeling and style that the artist has honed over a period of twenty years, musically, and forty-plus-years, emotionally.

and full-length it is:

the golden ravedays is an epic album of 24 tracks that was released in january 2017 and is stretching over 12 respective chapter albums during a one-year period. the sixth piece of the golden ravedays puzzle will be released on hippie dance in june 2017.

number 6 of the series introduces two further tracks of the sound adventure that superpitcher is taking us on this year. side a features protest song. if music is a way of transporting us to other places, protest song takes us to a desolate, scary and loveless environment, a burnt-down, burnt-out place where the flesh of its former inhabitants is smouldering, void of goodwill and kindness in a cloud of toxic and greedy smoke. it’s all kafka and orwell and suffering - the most twisted and eerie track so far in the golden ravedays saga. what is undeniably clear is an acute sense of regret and loss - a warning that it could have been avoided, had we only listened to our hearts and protested. in the same vein on side b we hear powerful resistance. produced after the paris attacks of 2015 superpitcher outdid himself with this strong message of resistance. where protest song paints a picture of under-worldly doom, resistance’s techno beat and insistent refrain sweeps us to the surface of the muck of hatred and intolerance we’ve politically been dumped in. a voice that seems like a trapped animal is calling out to us. what is it trying to say? is it crying out for help? is that animal all of us? resistance represents hope and encouragement and could be the perfect marching track to any demonstration against negative forces. much needed in this age of bigotry where it seems like time has leaped backwards to a darker side of history. as for the dancefloor – resistance is irresistible!

shakedown 1979. grunge is back jack, and we dont even care as restless as we are. so, go smash a pumpkin, but don t let your neighbor catch you. they ve worked hard carving those scary faces. plus that s somebody elses masterpiece. this one is ours!

hip hop classics on 4x12 inch lp

vinyl-erstveröffentlichung des bruce broughton-soundtracks zur us-kult-horrorkomödie “the monster squad” von 1987 in der regie von fred dekker. schwarzes 180g doppel-vinyl. limitierte, europäische auflage von 500 stück.

the new album of toulouse based producer verset zero: a scary and tortured release with black metal influences. the original tracks are accompanied by three remixes (blush response, violet poison and huren).

schwarze messe - the new studio album from patrick arbez published here as a limited vinyl only release exclusive on delude records. 3 x 12- vinyl with 12 powerful tracks in a double cover. everybody love patrick arbez dark melodic techno sound. thats great, thats spooky, thats scary, thats arbez sound.

nice price deal !!! supported by jamie jones, mike monday, laurent garnier and claude van stroke!! daniel mehlhart is back on karmarouge with his second 12 vinyl called kamasutra. the same-named titel track on the a side is an indian flavoured tune about sensuous and sensual pleasure, spirituality and love.>dunkelkammer< on the flip side comes along in a sinister robe. a scary murmur is surrounded by percussive and loop based elements

“ode to eskapism” is dedicated to all of those that use techno as a way in to escapism. to those that use techno as a mental diversion from the perceived unpleasant, boring, arduous, scary, or banal aspects of daily life. those that cannot subsist on the scanty satisfaction they can extort from reality alone. those that feel the need to dissociate from reality in order to experience it. to all of those that emerges recreated, stronger and full of life after a weekend escape into techno. the label bond is the brainchild of swedish techno dj and producer petter b. the concept of the label is “music by djs for djs”. the label focuses on releasing tracks that enable the dj, rather than the producer, to be creative. it is based on that special bond which is created every time a dj combines tracks, loops and sounds live into something new and unique.

during their european tour earlier this year, canadian duo jokers of the scene stopped over for a couple of days at club bizarre studio in northern france. the two pair of producers locked up and came up with betaville and breakwater, two killer lo-fi and spaced out tracks. betaville is a fuzzy dream that will make you dance in slow motion with your head in the clouds. boasting a strong melodic and nostalgic feel, it unfolds its warm analog synth pads, old school sequences and drum machine to psychedelic effect. imagine boards of canada wanting to make you dance. even slower is breakwater, a dirtier, chunkier track that ditches the softness of betaville in favour of a more in your face bass line and all together rougher attitude. it chugs along to old fashioned beat box claps and percussion and quirky synth melodies. lastly betaville gets the timothy j fairplay treatment of being violently pulled apart and chucked in all corners. reminiscent of early chemical brothers music, a heavy beat slaps over agressive drugged up analog sound effects while a repetitive, haunting melody screams on top and reverberated vocals whisper in your ears. scary.

nice price deal !!! coruscating cut-ups yanked still dripping and yowling from the belly of the beast. dazzling and invigorating, scary and discombobulating. ‘psychic driving was a psychiatric procedure in which patients were subjected to a continuously repeated audio message on a looped tape, in order to alter their behaviour… often hundreds of thousands of repetitions of a single statement over the course of their treatment. they were also concurrently administered muscular paralytic drugs such as curare… the psychic driving procedure was a chronological precursor to cameron’s depatterning, involving massive doses of ect combined with similarly large doses of psychedelic drugs like lsd. the intent was to break down the subject’s personality — theoretically psychic driving could then be used with some efficacy in establishing a new personality’ (hanson records).

bazzerk is the multiform label project run by jess & crabbe and is released under equal bazzerk and mental groove moniker.lcindo joaquim, known as dj afro pupo, was born in 1992 in the terra nova district of luanda. although the influence of us deep house and south african house are obvious on angolan afro house, its direct affiliation with the kuduro, or most traditional kazukuta and semba give it its own unique identity

pressure suit is proud to present its first album project, dinsync from michal matlak, better known as the analog roland orchestra (taro).

*stranger than you* is the fourth studio album by acclaimed belgian new wave group the names. recorded in 2014, stranger than you marks a conscious return to the sounds and styles explored on their debut album *swimming* in 1982. the double vinyl edition is housed in a deluxe gatefold sleeve and includes a digital download code.

*darling arithmetic* ist nach *becoming a jackal* und *{awayland}* das inzwischen dritte album von conor obrien und es ist nichts weniger als eine kleine Überraschung, hatte der ire doch noch im letzten frühjahr eine sehr viel elektronischere ausrichtung für das kommende album angekündigt. doch *darling arithmetic* ist das bislang vielleicht intimste album von villagers, und man muss es wohl als eine logische konsequenz verstehen, dass conor obrien dafür einen anderen weg eingeschlagen hat. geschrieben, aufgenommen und produziert wurde das album im alleingang in seinem haus nördlich von dublin. die instrumentierung ist spärlich, klavier, gitarre und mellotron sind zu hören. die lyrics kreisen um das große, vielleicht das einzige thema der menschheit: die liebe - zu sich selbst und zu all den anderen.
schwarzes 180g vinyl mit 4-seitigen booklet und downloadkarte.